1. |
1.non-pitch I (fast)
02:51
|
|
||
2. |
|
|||
3. |
|
|||
4. |
|
|||
5. |
|
|||
6. |
|
|||
7. |
|
|||
8. |
|
|||
9. |
|
Magda Mayas Berlin, Germany
Magda Mayas is a pianist and composer/performer living in Berlin. Over the past 20 years she developed a vocabulary
utilizing both the inside as well as the exterior parts of the piano, using amplification, preparations and objects that become extensions of the instrument itself.
Mayas performs internationally solo and in collaboration with a large number of musicians and composers.
... more
If you like On Creative Sources, you may also like:
Cataclysmic System Binding Loss
by Carbon In Prose
Shards of static & distortion crash against disarmingly beautiful piano & synth melodies on this riveting new record from Carbon and Prose.
go to album
Telepathic Music Vol. 1
by The Evolution of the Arm
True to their “Twin Peaks”-inspired name, Evolution of the Arm make avant-garde music that’s irresistibly creepy.
go to album
Work of Progress & Etudes
by J.Lynch
J.Lynch (aka Thirty Pounds of Bone) plays with organic elements, including prepared piano, against electronics to impressionistic effect.
go to album
St Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism.
go to album
Prickly avant-jazz and math-rock obstinance make for dazzlingly complex songs on the latest from Sam Ospovat.
go to album
Mouth Full of Glass (2022)
by Macie Stewart
Contemplative indie folk with crystalline melodies given a lift by guests like Ben Lamar Gay and Sen Morimoto.
go to album
Danish avant-garde crew SVIN explore far-out new lands on their latest, the sound of a galaxy folding in on itself in cut time.
go to album
